Showing posts with label Baul. Show all posts
Showing posts with label Baul. Show all posts

August 14, 2011

Initiation songs of the Bauls of Bengal



another obsession of this blog is of course Bauls......

“I obey no master; not any order; nor any customs.
 Human distinctions have no hold on me.
 I exult in the pleasure of loving, because in love there is no separation but union only.
 And so I celebrate each and everyone in song and in dance."


Bengal is a land of rivers. The Ganges, Bramhaputra and other rivers, with their
tributaries, flow down from the Himalayas through the flat plains into the Bay of Bengal. More
often than not, the rice fields are under water and the mud houses washed away The only
means of travelling is by boat .Epidemics strike the poor and the sick. "Life is transient" sings
the Baul. In the hot summer, the land is parched and only the main rivers contain any
significant amount of water The peasant knows the moodiness of the rivers only too well.
They are bom beside them, live by them and, in death, their ashes flow down them. "It’s impossible to ignore the waves which lift the water of the river, how can I row my boat alone ?"
sings the baul.
Bengal is also a land of music. One hears the muezzim from the minaret at sunset and the boatman singing the river songs as he ferries the harvests to the other side Peasants hum as they plough the fields and rickshaw boys whistle film tunes. Children sing as they play games and women sing to the rhythm of threshing.
The Bauls call themselves mad because they crave for divine intoxication, lost to the
ways of the world, turning, moving, whirling in the breath of life. They are ecstatic, weeping
for joy crying in bliss, rolling about in mirth, singing the songs of the heart "I have lost my
mind, I don’t know in what it is lost or why it’s in such bliss" sings the Baul. These madmen
are not self-obsessed lunatics, grovelling in self·pity and unreal fantasies, out of touch with
the world and alienated into self-destruction. They are ordinary people with a unique tradition, who seek to live in and enjoy the world, to love and cherish it, for it is within this world that heaven exists. They are sensualists who desire to taste the essence of being, shunning the garb, the husk, the outer sheath of personality respectability and order:
 “O heart of a Baul,where will you go living behind this worldly existence ?"


Mystic singers, wandering monks, the Bauls carry through their songs a knowledge which is essentially philosophical, synthesizing the buddhist, vaishnava and sufi traditions.
They can be compared to the "troubadores” of the medieval era or to the "asiks" of Anatolia
Garbed in multicoloured robes and carrying the simplest of instruments, they go from village to village singing about the way of love. They sing at sacred shrines and temples, at fairs and festivals, in the courtyards of palatial mansions, under the trees amongst the mud huts, and today in buses and trains.
To the poor, the Bauls carry the richness of the spirit, to the blind the inner vision of divine light .
To the sick and the old, they give the healing balm of faith. The rich and the arrogant receive their scorn.
The essence of the Baul movement is religious contestation. lt is a discipline called
"ULTASADHANA’, which goes against prevailing currents. The word "baul" means someone
who is possessed by the wind, hence their roving nature. Like the troubadores who do not
search for light but already possess it, the Bauls are "illuminated”, or “the madmen of God".
They are largely illiterate and mostly come from the lower strata of Hindu and Muslim society
 with whom they share the same rustic language, the same
physical, psychological and spiritual mileu. They communicate their social, aesthetic and
spiritual beliefs through their songs.


"You will not come back again and again.
 You will not be born as a human being again.
Be vigilant, o my spirit, the day ends and darkness descends.
Man is God come to this earth,
so don’t stain the lineage of humans.....



songs 







January 25, 2011

The Bauls Of Bengal



O you shaggy-headed banyan tree standing on the bank of the pond,
have you forgotten the little child,
like the birds that have nested in your branches and left you?
Do you not remember how he sat at the window
and wondered at the tangle of your roots that plunged underground?
The women would come to fill their jars in the pond,
and your huge black shadow would wriggle
on the water like sleep struggling to wake up.
Sunlight danced on the ripple like
restless tiny shuttles weaving golden tapestry.
Two ducks swam by the woody margin above their shadows,
and the child would sit still and think.
He longed to be the wind and blow through your rustling branches,
to be your shadow and legthen with the day on the water,
to be a bird and perch on your topmost twig,
and to float like those ducks among the weeds and shadows.

Rabindranath Tagore
*



&







November 17, 2010

The Mirror of the Sky



KE KATHA KAYRE
Lalan, ca. 1775-1891

Who is it that talks to me but does not let me see him?
He moves close to my hands but away from my reach in spite of my lifetime's search.
I explore the sky and the earth searching for him,
circling round my error of not knowing myself.
Who am I and who is he?

He is both, Rama and Rahim,
he is earth, water, air and fire.
Fools cannot lead you to Him in your search for Him.
If you are unable to reach what is close to your hands, what can you find in Delhi and Lahore?
Siraj Shah says, O Lalan,
the more I see the more I am confused.
 
Song and instrumental accompaniment on the swaraj (also a lute, like the dotara, but with five sympathic strings), by Torap Ali Shah, a Sufi Baul from Jessore, East Pakistan, now Bangladesh, and with ghunghur and kathkartal (wooden clappers). It was recorded in 1971 in Calcutta when Torap Ali Shah came to India as a refugee during the Bangladesh war with Pakistan.
  
source:
  
recorded, translated and written down by Deben Bhattacharya
  
*