Sedmina - II. Dejanje

1. Gledališče (4:04)
2. V Polju gre pšenica v klas (4:17)
3. Ciganka (5:59)
4. Circus (9:23)
5. Pav (5:44)
6. Fotograf (5:42)
7. Kolo (Za Duško) (9:21)

Veno Dolenc / acoustic guitars 6 and 12-strings, vocals
Melita Dolenc / vocals
Lado Jaksa / clarinet, saxophone
Edi Stefancic / acoustic guitar, tambouritza, harmonica
Bozidar Ogorevc / violin, viola

Feed your Ears, say thegoodone, to jump over the fence.




The second album of SEDMINA was released in 1982. The band featured the same line-up like on the debut. However, the arrangements are somewhat different, offering longer tracks and more psychedelic, acid-folk sound. Unlike the debut, this one does not attract a listener on the first attempt, but several listens are needed to grasp the feeling. The performance is done with mastery and confidence. The leading instruments are clarinet, violin (and viola, probably because I cannot quite tell the difference) and saxophone, with backing acoustic guitars. Melody lines invoke the medieval or baroque ballads of typical European and Mediterranean musical legacy, but occasional hints of even American folk tunes are also present. "Ciganka" ("Gypsy Woman") is very dylanesque lively folky tune with violin. The epic "Circus" brings an extended violin solo with some eerie, melancholic passages turning more optimistic at the end of the song, with Veno's vocals and saxophone. "Pav" shows the incredible abilities of Lado Jaksa playing outstanding clarinet solo party. Closing "Kolo" brings a drunken, quite morbid and strange tonality, sounding like they had been tuning their instruments along the way - very trippy and mind-bending. The second half of the song is more optimistic because the rhythm is stronger and violin is accompanied very nice solo on acoustic guitar. "II dejanje" is a very dark album. It is also not very accessible and requires attention and patience. At times, it contains rather noisy and cacophonic moments which may force you to stop playing. It is demanding. But we are talking here about "progressive" and "experimental" music, aren't we? This album deserves a lot of guts from listeners. And from reviewers it also deserves something - a recommendation. It is simply not an average folksy troubadour "cry baby". 4,5 stars!
Thanks to progarchives.com. and Seyo